Murat Kahya uses photography as a means of exploring and making sense of both physical and emotional experiences in his works. At the heart of the artist's production process is his commitment to organic and non-prescriptive approaches; In this way, he is able to move with a sense of fluidity and clarity in the complexity of time and change. In his recent works, Kahya aims to go beyond the two-dimensional form of photography by incorporating new tools into the production process and to create personal spaces for his viewers.

Emir Yasin Yağmurca focuses on the interdisciplinary concepts of nature and landscape, and he creates studies that deal with nature in the context of space and sensation. His oil on canvas series titled 'The Threshold' are deformed landscape works. The essence realized in nature means, in a sense, the change of frequency, the deterioration of our perception patterns and the reconsideration of the concept of space-perception. To be on the threshold is the right of the individual who wonders about the uncertain. The series reflects the perspective that the artist puts forward in his effort to create a unique space and his effort to present the perception that remains in limbo and moves between spaces.

Gözde Mulla, on the other hand, handles her works within the framework of space, emptiness and threshold. With the effect of the changes in her life, her inquiries on the concept as a place of 'home' shaped her works. In her works, the artist, who considers the relationship of paper with space as an essence and starting point, makes all emotions and sensations and traces of life visible within the concept of home. The 'Somewhere Inside' series in the exhibition are the reflection of sounds that everywhere we come into direct contact; the indistinguishable and violent sounds that are in nature, at home, right next door, that the media brings and leaves in our living room every day. The artist defines this situation as follows: "The violence that we cannot perceive as we hear and cannot see as we look is met with images of fire. It's so close to us, it's all somewhere inside. Everywhere we go through, even more so inside us."